Cross Country


Hello, Pierrette here, taking a break from cutting lots of pretty Rainbow Stacks to blog for Anna while she is busy goofing off and doing important things like eating fish tacos in NYC. I am holding down the fort (as usual ;) and I wanted to make sure that everyone knows about her upcoming trip to Tampa, FL. She is going to be hosting an event and teaching a class and you are invited! Please see the info below:

Anna Maria Horner Meet 'n Greet Trunk Show
Friday June 22, 2012 2:00 PM - 5:00 PM
Trunk Show Fee: $20
Location: Keep Me In Stitches, 4237 W Kennedy Blvd, Tampa FL 33609  813-282-1526

Patchwork Prism Pillow Sham Workshop with Anna Maria Horner
Saturday June 23, 2012 9:30 AM - 4:00 PM
Workshop Fee: $199 (includes project kit and lunch)
Location: Keep Me In Stitches, 14833 N Dale Mabry Hwy, Tampa FL 33618  813-908-3889

You may sign up online at http://kmisinc.mhsoftware.com or by calling either of the two locations.
www.kmisinc.com

Instapuppy

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My father-in-law texted me a photo of two little curled up lab-ish looking puppies in the early morning of June 1st with the question "want another lab?"  He was on a business call in Columbia, Tn. which had him visiting a scrap metal working shop.  As he walked up to the office door two little, filthy puppies approached him, a little shiver-y after a rainy night (queue heart string yanking music).

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Our good boy Leo had a hard winter.  At not quite 8 years old we had him X-rayed to find some aggravated and swollen joints from a puppy injury, a bit of arthritis and evidence of his spine having fused and rebroken in a few spots.  Not fun stuff for a 100lb dog to deal with.  I spent lots of nights down on the floor with him, giving him nice slow rubs, to hopefully lessen his discomfort, and gave him some pain killers on and off when he seemed to just not be able to move.  One night he sat whining on the back porch because he wanted to come back in after his bathroom break in the yard- and I stood in the open door welcoming him, but he couldn't lift his hind end off the ground.  And he wanted to so badly.  He was just in so much pain.  I cried a bit with him, and in the cold dark, I convinced him to let me carry his back end while he walked his front end into the house, up a few brick steps.  It was as though he was more emotionally hurt than physically at the notion of me helping him.  We found his soft spot on the warm rug, where he spent most winter nights.

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Some days we would see a little improvement, but most days I was reluctantly coming to the a slow realization that maybe Leo wouldn't ever get back to his happy normal.  Jeff suggested we think about going ahead and getting another dog, and the thought not only made me cry but infuriated me.  All dogs should be like Leo.  He is perfection.  He is gentle, beautiful, protective and spirited.  More than anyone could ever hope for.  I have felt sure that even if he could speak words, he would never utter one complaint.  I wanted nothing to do with another dog.  I couldn't think of another.

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With the warm weather returning, so has Leo's mobility, comfort and old self.  He's even shared a family walk or two and seemed no worse for wear after.  It was after a few months of Leo back to his old self that I got the text from Jack.  I caved.  This little pair of puppies had been left there, likely just dumped.  No tags.  No houses anywhere for miles.  I checked all the missing listings and shelters that I could, but it appeared they were intentionally left.  So I set out on a trip, about an hour south, to have a look for myself.  Something in me switched on when I saw the picture.  Not just the puppies' need.  But also of Leo's gift.  What a perfect pet he has been.  And what a perfect teacher he would be to a new little one.  On how to be.  How to live with us

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Deciding between the two puppies was agonizing, but better once a metal worker there had agreed to take home which ever I didn't choose.  So I took the one that didn't jump up and greet us right away.  I took the one that was napping through our whole visit and only looked up to make sure we posed no threat, then went back to sleep with a little tail wag.  I took the one that looked more like Leo. And he is settling in just fine.

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And Leo?  It's like I brought home a baby just for him.  The little one follows Leo and does as Leo does.  Leo is so tolerant and has developed one special growl for "okay, I'm done with the biting and rolling around thing for now".  Little one obeys, sits down and takes a big hrumpf sigh.  Then finds a sock.  Or a kid.  And goes right back to it.

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But then they sleep like this.

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Or like this.

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And also like that.  They are a pair.  And so happy, both of them.  All of us.

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We named him Cash.  As in Johnny.  Getting left in a parking lot in Maury County waiting to be saved was altogether too southern and tragic not to name him as such.  And it was on the first day of June.  So.  We love him.  He is a lucky boy to have a perfect surrogate father, not to mention a flock of adoring people brothers and sisters.  Jeff and I sorta love him too.

So an early happy Father's Day to our Leo.
And, if you haven't guessed it, I'm instagraming @annamariahorner.  So if you want more play by play of puppies, what I eat for breakfast, what beer I nurse as I put on date-night makeup and other important details, just follow.

xoxo, AM

Have a Seat

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Details.  I has 'em, more than I can put in one post, in fact.  Thanks for all your nice words on my last post about the booth.  We were very proud (relieved) of how it all came together.  One of the comments, can't remember right now which, mentioned something about an imperfect situation giving rise to creativity.  I guess I have always felt the same, I just don't always believe it in the moment.  Anyway, I've been thinking a lot about that recently- creativity thriving on imperfection.

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One of the more talked about items was this dress.  It is a simple bias cut shape with hand appliqued feathers.  The pattern was done on the fly (always the best pattern) the night before we left.  I seamed two 44"w solid cotton pieces side by side for a x2 wider width, then cut the a-line shapes for front and back of the dress from this yardage on the bias.  The front piece lifting a little higher over the bust, the back dipping a bit lower under the shoulder blades.  It's topped with a narrow contrast elastic channel, while the waist elastic channel is wider and hidden on the wrong side of the dress.  I am trying to figure out the best way to share this pattern with you.... more on that soon.  The feather quilt - Featherbed Quilt -is all machine pieced and will be a free pattern when the fabrics launch in August, but I'll also give tips on doing an applique version to accomplish things like the above.

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The other most talked about item was my new pet panther.  Whatever wrenches were thrown into my booth planning I never wavered in my relentless search for a life-sized panther to decoupage.  Don't ask.  I can't answer.  I loved making it and I loved showing it and I love having it.  It's weeyud.

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Fabric.  Look the fussyyyyyy cutting on that pillow by Ms.Brittney.  I love it so much. The center print is Raindrop Poppies, then Mind's Eye, then Spotted in the Crowd, then two colorways of Fine Feathered.  The pillow to the right is another colorway of Mind's Eye.  I'm going to publish our full market catalog here next so you can see all the fabrics (and patterns) more in depth.

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Needlepoint.  So happy to share two new designs on their way later this Summer.  Centerpiece and Sketchbook.

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Don't know what to add to that news other than yay.  Find your favorite chair and we'll be back with those soon.

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What to do with that needlepoint other than the obvious?  These bags are a glimpse of a sewing pattern in development for fall.  A big carpet style bag and.....

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.. a clutch.  I love this pattern, can't wait to get it out there.  The sewing is very straightforward but the shapes are gorgeous and classic.  Of course the pattern is just as lovely simply with a fabric in place of the needlepoint, but just in case you have one complete by then.

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Embroidery.  This summer will see a new collection of Pearle cottons and Embroidery Floss in some yummy new palettes that are gorgeous with Field Study.

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The pearles, are lovely and pale.  A few are shown here in front of a sampler for my first embroidery pattern collection coming out this month, Love from A to Z.

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The new embroidery floss colors are deep and rich and shown here with a few pieces from the Fields Aflutter embroidery pattern collection, also coming out this month. So much to look forward to.

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I think this vase of flowers sums up my whole story for Field Study.  Gorgeously natural if not a little uneasy and exploratory.

have a lovely weekend,
xoxo, Anna


Field Study

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When I learned that I might not have any of my Field Study fabrics in the studio before market, I just about threw in the towel.  As I looked over my booth contract to see about getting a refund for the space it occurred to me that maybe there was a way to do it without fabric.

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I was able to get my fabrics in a rush, piece by piece, but only receiving the last of them about 6 days before we left.  Lots of last minute sewing by several talented folks stocked the booth with samples.  But the whole design of the booth was created with the thought that all I would have would be one small strike off of each print. 

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So the decoupaged leopard would have been painted.  The feather dress would have only had one feather appliqued. But I threaded my needle as we pulled out of the driveway to begin the hand applique of 8 feathers between Nashville and Kansas City.  Then I started to hand sew quilt bindings.

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The pin wall of numbered "moth species" displaying each print in the collection was designed to suit the small strike off pieces. The pillows lining the needlework wall were a bonus that we didn't count on.

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The little animal eccentricities, sculptures, vases, and stag antlers here and there were gathered on a whole day antiquing adventure with Isabela in Nolensville, Tn. We know how much I suffered through that task.

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Without fabric I would have painted the leopard print floor cloth.  But with fabric, I was able to Steam-a-Seam the fabric to canvas and cut out the shape with a couple days to spare.  I snipped the threads of the final binding stitch on the quilts hanging under that table as we pulled up to the convention center.

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This space would have been occupied most likely by some sort of printed artwork reflecting the collection, but fortunately it was occupied by a healthy dose of Field Study sewn samples.

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The cool thing about my spot on the floorplan this year was that no one was occupying the back side of half of my booth.  So I was able to consider and design the booth to be viewed from the back as well as from the front.  The moths decoupaged on the wall were cut from the fabric and not printed paper as originally planned for.

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I love this process.  Putting it all together.  Everything from searching for a life size panther for two months to appropriating just the right furniture from my house to tell the story of my design work is an entertaining privilege.  The whole family was entirely entertained by me running around like a headless chicken, and no one ever seemed to doubt that it would all come together- despite me crying over it (just a little on a few hard days).  I was the only doubter.  A lot to be said and felt over just a trade show, I know.  But it has become an integral part of my creative process.  It's my big picture. Jeff called it my music video (which is funny coming from someone who karaoked Seal at a club while we were in KC).

So that's the big picture.  Up next, some little pictures and fussy details.
xoxoAM

Growing

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I had snapped this photo on Mother's Day from way across the yard at the patio door - marveling at the sweetness between the two of them, unprompted, no instructions to Bela to let Roman have a go with the hose.  Perfect gift for my day.  Over the past week of being gone, I scrolled through my camera photos more than once just to look at it and imagined (hoped) something just as good was happening at home without me.  And it must have been.  Because the garden is robust and twice the size it was when we left.  I believe all the children are too.

It is so good to be home.  More soon on my time at Quilt Market.  Hoping you are well.
xoxoxAM

Notes on Needlepoint

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Today, needlepoint is on my sewing list.  I am working on some bag patterns that will include needlepoint panels in their design which has me incredibly giddy.  If you are familiar with how to sew a needlepoint into a pillow front, then sewing one into any other sewn good is not much different.  And even if you're not quite sure, it really works out in the most logical way, keeping your machine sewing seam line right into the last stitched row around the perimeter of the work.  This is easiest when you have the wrong side of the needlepoint facing you as you sew it to a pillow back, bag back, etc.  Just pretend like you're sewing with really thick fabric, which is really all it is... so use a bigger needle, take your time, and all those things.  I also think that velveteen is the perfect pairing with a needlepoint as a pillow back or otherwise.  The weight and textures are perfect together.

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So if you needed any suggestions about my favorite pairings, here you go.  And please don't allow yourself to believe that I have single-handedly stitched up these two tapestries in the time since their release in April.  No, dearies.  Anchor was kind enough to send along some finished samples.  (Phew.)  Though I have to say, I am about 1/3 of the way through that Polka Dot Rose, because I couldn't hold out longer that about 5 minutes once the kit samples arrived late last fall.  I am so patient.

On the note of the actual stitching, I wanted to clarify something for those of you who might be using the kits in conjunction with the Needlepoint Know-how pdf that is available on my Make page.  The "tent stitch" which is used to complete these needlepoint designs can be made with 3 different methods, which the pdf illustrates.  Each method takes a different amount of wool to complete, so many use the simple half-cross stitch because it uses the least amount of wool.  However, I asked Anchor to include enough wool in the kits to be able to perform at least the continental stitch method which uses a little more wool, so that stitchers could have their choice of at least two methods.  While they did include this amount of wool in the kits they did not amend their kit instructions to note this, but rather they suggest using the half-cross method.  I was thrown off at first until I got confirmation form Anchor that there is indeed enough wool to do the continental method.  So this is why even our descriptions of the kits mention the same because I didn't want my descriptions to be in conflict with Anchor's.  Okay?  Okay.  Anyway, I think that they will amend the instructions on the next printing so that it reflects this fact.

Back to it,
stitches & kisses, Anna

Frolicking on Command

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I am mid-thigh deep in Quilt Market preparation, layered in with book completion, final new pattern tweaking and what feels like everything else. I am only now getting sample yardage of my newest fabric collection, Field Study, which was suppose to be here in its entirety about 3 weeks ago.  So sewing it up in all that we had planned for booth samples has been interesting to say the least, as we have changed plans about 82.3 times now.  With less than half the time to sew that  I normally have, I've pulled in twice the help and every day there is some new plan about what exactly we are sewing depending which of the 36 total quilting fabrics has arrived.  Because there is such a rush, the mill is sending them piece by piece, sometimes 6, sometimes only 3 prints at a time.  It. Is. Kooky.  But somehow, it is keeping all the creating spontaneously chaotic in an entirely good way.  Like this little skirt might not have come together just like this yesterday afternoon if it weren't for the fact that these are 2 of the 6 fabrics that arrived yesterday, promptly creating some head scratching, then swift cutting and sewing, and of course last minute frolicking courtesy of Eleni for a pre-sunset photo. This is the All Set skirt, part of my first kids pattern collection (and I can safely say my first pattern bearing a kangaroo pocket).  Can't wait to share the rest of the new fabrics and patterns.  And I'm not even hiding anything.  I can't wait to see them either.  As in I'm camping on the front porch waiting to attack my poor Fedex man with scissors, needle and thread.

Also, I ate a strawberry out of our vegetable (fruit?) garden yesterday.  I've never tasted anything like it.  It was sweet spring perfection.

Happy May! xo, AM

Via Glittersmack

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Where I leave notes for myself on her current hair color(s).
A mother has to keep up.
xoxoam

Dredged in Flower

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Biltmore's conservatory.  What an indulgence it was for me to be able to take my time and just snap, snap, snap. Maybe these little souvenirs will hold you until you get the chance to see it yourself one day.  This is likely enough inspiration for me to draw pictures of flowers for at least a decade.  Sigh.

Thanks for the workshop sellout that happened pretty lickitysplit today.  I am so honored that there is that interest out there, and I promise to be a good hostess to those of you joining.  I simply cannot wait.  If you missed this one, let me know, and I'll add you to an interest/wait list for the future.

In other news:

:: My husband can not stop making tofu scramble like this.
:: I cannot stop watching/listening to this.
:: Somebody help me.
:: I can't get sick of it.
:: Tofu scramble on the other hand....

xoxoAMoxox